
A practical method for pricing stitching work — costing your time properly, building a rate card, handling customisation charges, and raising prices without losing customers.
Most boutiques price by looking at what the shop down the road charges. It is quick, it feels safe, and it is the main reason skilled tailors work six days a week and still wonder where the money went.
This article sets out a way to price that starts from your own costs rather than someone else's guesswork.
The shop you are copying may have lower rent, unpaid family labour, older machines already paid off, or simply be mispricing too. You inherit their mistakes without knowing their numbers.
It also traps you. If everyone in the area copies everyone else, the whole market sits at a price nobody has checked against reality, and the first person to raise rates feels like they are taking a risk when they are only correcting an error.
Before setting any price, you need one number: what it costs to keep the doors open for an hour.
Add up your monthly fixed costs — rent, electricity, staff salaries, internet, software, loan payments, maintenance. Then divide by the hours you actually work in a month.
A worked example. Suppose fixed costs total ₹60,000 a month, and the shop runs 26 days at 8 hours — 208 hours.
₹60,000 ÷ 208 = roughly ₹290 per hour.
That is your break-even rate before profit and before materials. Every hour of stitching has to clear ₹290 just to stand still.
Now check a garment against it. If a blouse takes two and a half hours of actual work, it carries about ₹725 of fixed cost. If you are charging ₹600, each blouse loses money, and the harder you work the further behind you get.
This calculation is uncomfortable the first time. It is also the single most useful hour you will spend on the business.
Every garment price should be assembled, not guessed:
The fourth is the one most often missing. Covering costs is not a business, it is a job with extra risk.
Almost everyone underestimates. The fix is boring and effective: for two weeks, write down the actual start and finish time for each garment, including trials and alterations.
Most boutiques discover that a blouse they believed took two hours actually takes three and a half once the second trial and the finishing are counted. That is a 75% costing error, and it is invisible until measured.
The quiet profit killer is the work that gets absorbed. Piping, lining upgrades, hand embroidery, an extra trial, a rush delivery, a design copied from a photograph — each takes real time and is routinely given away because it feels awkward to charge for.
Publish them as add-ons with fixed prices. "Piping — ₹150" on a rate card is a normal business statement. The same amount asked for verbally at delivery feels like a dispute. The rate card does the asking for you.
Three reasons to put prices on paper, even a single laminated sheet:
Structure it by garment, with base price and the common add-ons listed underneath. Review it twice a year.
When a customer pushes on price, the instinct is to reduce it. Offering a lower tier is better: standard stitching at one price, premium finish — better lining, hand finishing, extra trial — at another.
The customer who wanted cheap gets cheap. The customer who wanted quality, and would have paid for it, now has something to buy. Discounting serves only the first group and teaches everyone that your prices are negotiable.
Four things make an increase land quietly:
Expect to lose a few of the most price-sensitive customers. That is usually a profitable trade — they tend to be the most demanding and the slowest to pay.
Revenue is not profit. A ₹4,000 bridal blouse taking twelve hours earns less per hour than a ₹700 alteration taking forty minutes. Plenty of boutiques are busiest on their least profitable work.
You need two numbers per garment type: what you charge, and how long it really takes. Divide one by the other and the picture is usually surprising. Reporting on your order history makes this visible once you have a few months of data recorded.
Pricing well needs two things recorded consistently: what you charged, and what it cost you in time. Order records with per-garment rates give you the first; stage tracking gives you a sense of the second. Once several months exist, reports show which garment types actually carry the business.
Also see our guide to invoicing for tailors, where the advance-and-balance side is covered.
For standard items, yes — it filters out customers who were never going to buy and saves everyone time. Bespoke and bridal work is reasonably quoted individually.
Check what they actually include. Often the gap is lining, finishing, or the number of trials. Compete on what is in the price rather than the number itself.
25–50% extra is common, depending on how much it disrupts. The charge is not a penalty, it is compensation for the planned work you have to push back.
Include a set number of trials in the base price and charge for additional ones. Stating it up front avoids the argument entirely.
The short version: work out your hourly cost, time your garments honestly, build prices from the parts, and write them down. Nearly every undercharging boutique is undercharging because it has never done the first two.
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